Kaajal 1965 - Desolate Meena, powdery Padmini and one sided cat fights.

Jealousy, loss, grief and the classic tale of two women who can’t stand each other.



This movie is based on Novel "Maadhvi" written by Gulshan Nanda and is directed by Ram Maheshwari.


When a trusted Munim (Clerk) of a prestigious family passes away, the head of the family,Ranimaa (played by Durga Khote) take care of his children Kaushal and Madhavi (played by Meena Kumari)


At this point I have to say three things - one, I really miss seeing the ubiquitous munims of my childhood, walking around with a cloth bound ledger and calculating away on the tips of their fingers instead of the tie and suit officers with an air of importance around o them and their fancy scientific calculators


Second - what is with big families automatically taking custody of their employees’ children? I mean give them benefits like gratuity and provident fund, right? (insert goofy face here)


Third - why don't we name our women Madhavi and Rani anymore? Where did Ayesha, Sera etc come from?


Ok, let me go back to the old world and not compare them to the reality of this world. Anyway, that world and era were more charming even if I have to let go of some bare truths.

Ranimaa's only son is Rajesh (played by Dharmendra). Years pass by. No moving wheel and small foot changed to big foot scene-change here. Just a grown up handsome boy maa ka puttar. He is of marriageable age and meets as well as gets married to Bhanu Saxena (played by a very powdery Padmini).

Meanwhile, in a boating accident, Madhavi's brother Kaushal passes away, and a devastated Madhavi is left alone and pitied. Rajesh is heartbroken for losing a friend, Ranimaa feels guilty, the whole house is sad and grey. But Bhanu is not taking out any bit of stock of pity from her hard cold powdery heart. She not only envies Madhavi, but also begins a creative and intricate process of blaming her for everything. One sided cat fight round one begins.

Even to the extent of accusing her of having an affair with her husband. Bas ho gaya!!.


A depressed and self respecting Madhavi goes to kill herself and ain mauke par comes along a handsome Moti. No, not a black dog with a leather collar but the shero shayari dapper actor Raaj Kumar. I think even here he doesn't want to let Meena Kumari keep her beautiful foot on the dirty suicidal ground. ( “Aapke paon dekhe, bahut haseen hai, inhe zameen par mat utariyega, maile ho jayenge.” Pakeezah 1972)



Madhavi’s life is now at the benevolence of the one who rescued her. She gets married to Moti. What follows is a twist of fate for poor Madhavi who has to suffer from a gradual alcoholic husband. As usual the emotional part of the movie is heavily dependent on the wonderfully dismal wife's role played by Meena Kumari. The screen becomes poetic when she is on. I can watch an entire scene without dialogues if she is there.

 



An emotional movie showing the importance of relations, self respect and the sanity of marriage and great performances by the whole cast.


I found some interesting trivia for the movie - A heavy argument broke out on the film sets on day one. Raaj Kumar on seeing Dharmendra , inquired sarcastically " Where have you found this wrestler from!!Are you sure he can act?" An angry Dharmendra was ready to respond physically only to be calmed down by the director.

Posters courtesy - IMDB and postervile.

Pakeezah - Cinema in its purest form

Imagine the splendour of Mughal style architecture. Imagine jewelery which enthralls you with its various designs and gems. Imagine music which makes you weep. Imagine lyrics which touches unknown cords in your heart. Kamal Amrohi realised this beautiful imagination into a movie called Pakeezah and Meena Kumari made it a tribute to herself.

The year was 1972 but the movie had been in the making for 15 years. Because of allegedly troubled relationships between the two, the movie almost stalled but was salvaged by Sunil and Nargis Dutt. Apparently Meena was unwell but she determined to get the movie done and her passionate performance is what holds it together.


Whats it about
A common story portraying the plight of courtesans of that time. Meena is a courtesan and dies giving birth illegitimately. Years later her daughter is also a courtesan in the same brothel. Many suitors and many beautiful songs later she meets RaajKumar. There isn't a villian who comes in between but the purity of her love and character, which shows how a courtesan sometimes can be above society. It is this purity (Pakeezah), which is the essence of the movie.


What makes it different ?
The climax and the end. RaajKumar's role as the saviour and then lover. Meena getting stranded in a forest and the aftermath. Her reentry back in the brothel symbolised by the bird in the golden cage whose wings are cut. Her encounter with her illegitimate father changes the course of the story.

 The music is evergreen. 'Chalte chalte yoonhi koi mil gaya tha...' (Lata Mangeshkar), ' Inhi logon ne,inhi logon ne...le liya dupatta mera'  (Lata Mangeshkar)... Songs which have a meaning to what the courtesan goes through ,beautifully emoted and gracefully performed in dance by Meena. The lack of digital music makes you listen to every beat of the ghunghroo clearly. The music is by Naushad and Ghulam Mohammed The lyrics of Chalte chalte is by Kaifi Azmi and Inhi logon is by Majrooh Sultanpuri.

Raajkumar is known for many famous dialogues. 'Aapke pair bahut haseen hain,inhe zameen par na rakhiye,,yeh maile ho jaayenge'  (Your feet is very pretty,don't keep them on the ground,they will become dirty'is one of them in this movie.

Mood
Th old world charm of Nawabi shaan and lifestyle is subtly shown. Money is thrown,literally, and there is no end to richness,luxury and shayari. Private daawat in a illuminated boat.There are fountains in which Meena wets her hair. Pathways lighted with lamps on which she strolls. Intricate silverware in which food is served.Golden cages,golden carpets and velvetty diwans takes you to visually appealing arsitocracy. and the language - pure Urdu as always. This was Bollywood's answer to Cleopatra !

I had heard that Meena was known as tragedy queen of Bollywood. This was the first movie of her's which I saw after some hazy memories of her movies watched in childhood. The first scene and her first dialgoue suited her title aptly. The entire deco of the set and movie for the earlier scenes is gloomy to suit Meena's mood and her pain of an abandoned courtesan. When Meena gets abandoned in the forest, it was as if jewelery is taken off a mannequin. Suddenly she is in plainclothes and looks commonplace and real in the bare, natural countryside.

Rare pic of on the sets of the movie. Kamal Amrohi directing the cast.

Rating - for the splendour and music and the climax. If you want to enjoy old world charm then Pakeezah will not disappoint you. Yes it is slow,but it suits the theme and music of the movie.

I shall end by repeating a very touching dialogue from the movie which mocks at the hypocrisy the world lives in.
'Phir meri awara laash is gulaabi makhbare mein laut aayi...haan har tawaif ek laash hai,main bhi.Hamara yeh bazaar ek kabristan hai,aisi auraton ka jinki ruhen mar jaati hai aur jism zinda rehte hain.Yeh hamare palakhaane aur khote hamare makhbare hain,jinme hum murda  aurton ke zinda janaaze saja ke rak diye jaate hain.Hamari kabren baaki nahi jaati ,khuli chod di jaati hain..Main aisi khuli huyi kabr ki besabar laash hoon...jise baar baar zindagi vardala kar bhaga le jaati hai.'


Translated - (My wandering dead body has come back to this rose colour grave called brothel. Every courtesan is a dead body,me too. Our business is a graveyard of those women whose spirit is dead but body is alive. These buildings and brothel are our graves where the funeral prayers for us dead women is decorated and kept. Our bodies do not die out but are helplessly kept out. I am also a helpless dead body like this which is mockingly run down everytime by life.)